Pictures 43, 44, and 45 are, definitely, the beginning of a pictorial process where I understood the meaning of each pictorial element: where a brushstroke, a veiling or a flat square come from; what to do with it. I had a historical view of them. I started painting these pictures with few elements but I was able to create an aesthetics which I could have continued indefinitely, by just varying elements or changing the ones already used: the pictures worked, the elements were related to one another and the result was a visual aesthetics of its own.